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The Estate of Genesis Breyer P-Orridge
The Estate of Stephen Irwin
The Bob Mizer Foundation
The Estate of Alan Vega
The Estate of Timothy Wyllie
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Michael Bühler-Rose
Vaginal Davis
Paul Gabrielli
Clarity Haynes
Cary Leibowitz
Matthew Porter
Letitia Quesenberry
SHOPLIFTER / Hrafnhildur Arnardóttir
Vincent Tiley
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(Works Exhibited By:)
Kenneth Anger
Maria Antelman
Heather Benjamin
Tom Bianchi
Lucky DeBellevue
Michael DeJong
Jordan Eagles
Scott Daniel Ellison
Vincent Gallo
Al Hansen
Bibbe Hansen
Eric Heist
Jeff Ladouceur
Xao Lie Lie
David Anaya Maya
Jeremy Olson
Betsy Lin Seder
Aaron Michael Skolnick
Agathe Snow + Marianne Vitale
Gabriela Vainsencher
Marianne Vitale
Harald Zipfel
The Estate of Genesis Breyer P-Orridge
BREYER P-ORRIDGE, Madwoman Poor Trait #5, 2019, C-print mounted on Plexi, 24 × 16 × 1 in (61 × 40.6 × 2.5 cm)Genesis Breyer P-Orridge (1950–2020) was born in Manchester, England. He/r work has exhibited in museums and galleries across the globe, including DOX Center for Contemporary Art (Prague); the ICA (Philadelphia), The Tate Britain (London, UK); Deitch Projects (New York); The Andy Warhol Museum (Pittsburgh, PA); The Serpentine Galleries (London, UK); MoMA P.S.1 (New York); Mass MOCA (North Adams, MA); Participant, Inc. (New York); INVISIBLE-EXPORTS (New York); Kanal-Centre Pompidou (Brussels); among many others. Her performances, artwork and gender theories have helped shape culture, and inspired innumerable others. The first half of Genesis’ archives are part of the Tate’s permanent collection.
BREYER P-ORRIDGE, Installation view, We Are But One at Pioneer Works, New York, NY, April 15 – July 10, 2022
Installation view, We Are But One at Pioneer Works, New York, NY, April 15 – July 10, 2022
BREYER P-ORRIDGE, Shoe Horn #7, 2015, Horn, dominatrix shoe, Nepalese fabric-printing square, skull, feathers, Vodoun relic, fur, 11 × 9 × 8 in (27.9 × 22.9 × 20.3 cm)
Heist/P-Orridge, Untitled (pink/silver), 2000, Acrylic silkscreen, silver leaf on canvas, 31 1/4 × 25 1/4 × 2 1/4 in (79.4 × 64.1 × 5.7 cm)
The Estate of Stephen Irwin
Stephen Irwin, Cosmos, 2009, Altered vintage pornographyStephen Irwin (1959–2010) lived and worked in Louisville, Kentucky.
Focusing on the sublimation of the most prurient materials, Stephen Irwin has been exhibited at the New Center for Contemporary Art (Louisville, KY); The Speed Museum (Louisville, KY); the Contemporary Art Center (Cincinnati, OH); Maureen Paley (London); Gallery Diet (Miami, FL); r/e Projects (Madrid); PPOW (New York); Vox Populi (Philadelphia); Galerie Stefan Roepke (Cologne); Zephyr Gallery (Louisville); and DePauw University (Greencastel, IN); among others. His work has appeared in Beautiful Decay, The Huffington Post, Vice Magazine, Butt Magazine, and Art Papers, and is in the collections of the Speed Museum and 21c Museum, both in Louisville, KY.
Focusing on the sublimation of the most prurient materials, Stephen Irwin has been exhibited at the New Center for Contemporary Art (Louisville, KY); The Speed Museum (Louisville, KY); the Contemporary Art Center (Cincinnati, OH); Maureen Paley (London); Gallery Diet (Miami, FL); r/e Projects (Madrid); PPOW (New York); Vox Populi (Philadelphia); Galerie Stefan Roepke (Cologne); Zephyr Gallery (Louisville); and DePauw University (Greencastel, IN); among others. His work has appeared in Beautiful Decay, The Huffington Post, Vice Magazine, Butt Magazine, and Art Papers, and is in the collections of the Speed Museum and 21c Museum, both in Louisville, KY.
Stephen Irwin, Untitled 17, 2017, Altered vintage pornography, 11 × 8 1/2 in (27.9 × 21.6 cm)
Stephen Irwin, Untitled, 2009, Altered vintage pornography, 11 × 8 1/2 in (27.9 × 21.6 cm)
Stephen Irwin, Untitled, 2009, Altered vintage pornography, 12 3/4 × 10 1/4 in (32.4 × 26 × 3.8 cm)
Stephen Irwin, Untitled, 2010, Altered pornography, 11 × 8 1/2 in (27.9 × 21.6 cm)
Stephen Irwin, Untitled, 2008, Altered vintage pornography, 12 3/4 × 10 1/4 × 1 1/2 in (32.4 × 26 × 3.8 cm)
Stephen Irwin, Untitled, 2008, Altered vintage pornography, 11 × 8 1/2 in (27.9 × 21.6 cm)
Stephen Irwin, Untitled, 2019, Altered vintage pornography, 12 3/4 × 10 1/4 × 1 1/2 in (32.4 × 26 × 3.8 cm)
The Bob Mizer Foundation
Bob Mizer, Richard DuBois and Hank Prater (cart and whip) -- Southern California, 1935, Silver, gelatin print, 9.625 x 7.625 in (24.4 x 19.4 cm)
Bob Mizer (1922-1992) born in Hailey, ID was a trailblazing photographer, filmmaker, and publisher. At a time when homosexuality was criminalized in the United States Mizer’s photographs were subversive and inherently political. For his perspective on eroticized representation alone, Mizer is often ranked with Alfred Kinsey at the forefront of the sexual revolution. Mizer's work has been exhibited widely in the US and internationally, including the landmark exhibition Bob Mizer & Tom of Finland at the Museum of Contemporary Art, Los Angeles in 2014 and NYU’s Gray Gallery. In 2009, Taschen published Bob's World: The Life and Boys of AMG's Bob Mizer, a monograph accompanied by an oral history with contributing artists David Hockney, Jack Pierson and John Sonsini ,followed in 2016 by the extensive two-volume edition of Bob Mizer. AMG: 1000 Models.
Mizer's photos are in the collections of the Museum of Modern Art, New York and the Museum of Contemporary Art, Los Angeles. The artist's archive is held with the The Bob Mizer Foundation in San Francisco, CA.
Bob Mizer, "Jerry Byron Mayberry (with toy pistol), Los Angeles", 1962 (Edition of 5), silver gelatin print, 9.625 x 7.625 in (24.4 x 19.4 cm)
Bob Mizer, "Earl Deane (about to take a shower), Los Angeles", 1962, (edition of 3), silver gelatin print, 45 x 35 in (114.3 x 88.9 cm)
Bob Mizer, "Richard Pursley (as archer), Los Angeles", 1952, (edition of 3), Chromogenic print, 45 x 30 in (114.3 x 76.2 cm)
Bob Mizer, Tony Rome and Ron Nichols (Airman and The Sailor), Los Angeles", c. 1971, (Edition of 3), Chromogenic print, 7.625 x 7.625 in (19.4 x 19.4 cm)
The Estate of Alan Vega
Alan Vega, Untitled, 1971, Ink on paper, 14 × 17 in (35.6 × 43.2 cm)
Alan Vega (1938–2016) lived and worked in New York, NY.
Born Alan Berkowitz, Vega is known first as one-half of the groundbreaking electro-punk duo Suicide. The twosome initiated the merger of adversarial rock and anti-establishment performance that became punk, even as it left the movement behind. They abandoned guitar and embraced synthesizer and drum machine, and were, as Legs McNeil has called them, “dangerous, wildly unpredictable, chaotic performance art” and “about 30 years ahead of its time.” A.R.E. Weapons’ Brian McPeck has called Vega “an Elvis from hell.”
Alan Vega, Untitled (Champions Cross Crazy), 1984, Newsprint, tape, paper, 12 × 9 in (30.5 × 22.9 cm)
Alan Vega, Untitled, 2014, Graphite on paper, 12 × 10 in (30.5 × 25.4 cm)
Alan Vega, Untitled, 2014, Graphite on paper, 12 × 10 in (30.5 × 25.4 cm)
Alan Vega, Child Corpse, Sunday Trench, 1965, Ink on paper, 16 × 14 1/2 × 1 in (40.6 × 36.8 × 2.5 cm)
Alan Vega, Invention, 1965, Ink on paper, 15 1/2 × 15 × 1 in (39.4 × 38.1 × 2.5 cm)
